40 YEARS OF MAKING MAGIC

For over 40 years, Aphex has been at the heart of professional audio, recording, broadcast, live events and installed sound; as a proven staple of top artists and bands from Paul McCartney, Pink Floyd, James Taylor and Bruce Springsteen to Lenny Kravitz, Kanye West and numerous others; along with major broadcasts such as the Grammys and CMAs.. It's a legacy we're proud of, a legacy we will build upon as we launch new products and technologies and expand into new market segments.Everything we do is driven by our passion to create the highest quality music and vocal performances and help artists, engineers and all our Aphex friends get the most out of every audio application and experience. Whether you're performing, recording, broadcasting or using sound for communications and safety applications, Aphex is committed to providing the cleanest, clearest and most effective signal and dynamics processing technologies available. That's what sets Aphex apart – no hype, just dedicated, talented engineers and designers steeped in the world of music, voice and audio.

PRODUCTS

Exciter - Aural Exciter & Optical Big Bottom

Legendary Professional Two Channel Audio Enhancement – 40 Years and Counting - Since its introduction in 1975, close to a million Aphex Aural Exciters have found their way into recording studios and broadcast facilities, nightclubs and concert halls, arenas and airports, musicians’ and DJs’ rigs and houses of worship. The Aural Exciter’s patented technology has been often imitated but never duplicated.

Each of the Aural Exciter’s two independent channels feature Tune, Harmonics and Mix controls, enabling you to focus on select frequencies just like on an EQ. But unlike an EQ, the Aural Exciter’s harmonic processing doesn’t boost the signal’s output level, so it maintains a clear and balanced sound.

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320D Compellor - Stereo audio level controller

Delivers transparent audio level control for broadcast, recording and live sound - The 320D can act as two independent mono processors or one linked stereo processor, which is selectable on the front panel. This is true with both analog and digital I/O.

When the analog input is used, the digital output contains the 320D's processing. When the digital input is used, the analog output contains the 320D's processing, properly leveled.

Aphex builds products that last and last without need for repairs or calibration. Some Compellors have literally been in 24-hour use in the same rack for a decade or longer! When you specify a Compellor, you know it will do its job flawlessly and give you peace of mind.

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HeadPod 4 - High output headphone amplifier

Professional Monitoring for ALL headphone types - If the headphone output on your existing gear just isn't loud and clear enough, or you need multiple headphone outputs with independent level controls, the HeadPod 4 delivers.

But the HeadPod 4 gives you more than just volume. It's designed to deliver clean, clear, undistorted sound at any level - ideal for long periods of listening without fatigue.

The input signal can be fed from separate balanced connections; a single extension from your existing headphone output; or digitally via S/PDIF. Since it places no load on your existing headphone output, your audio will actually sound better through the HeadPod 4.

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IN 2 - Powerful Desktop USB Interface for the Home Studio

The Aphex IN2 is a USB interface conceived with the home project studio in mind. It includes 2 of Aphex’s Class A microphone preamps with top-quality analog to digital conversion and 2 DI instrument inputs, alongside a host of other amazing features and I/O connectivity all built into a compact chassis. Simple and easy to use, just connect it to your computer and get ready to record! 

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120B Distribution Amp - Servo balanced audio distribution amplifier

Transformerless High Performance Audio Distribution - Model 120B is a high performance audio distribution amplifier with a single high impedance input and four low impedance outputs, all electronically servo-balanced and designed to be as transparent as possible. The 120's transformerless circuits are designed for wide, flat frequency response, free from ringing or overshoot, making it ideal for distribution of time code or audio. Each output has its own amplifier and level control for maximum versatility and isolation. The sturdy steel chassis may be used stand-alone or rackmounted, singly or in pairs.

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124B - Two Channel Audio Level Interface

The Industry Standard for Interconnecting Consumer and Pro Level Stereo Audio Equipment - The Aphex Model 124B Audio Level Interface is designed to allow use of -10dBV consumer hi-fi equipment with +4 or +8dBm professional/industrial/broadcast audio systems. It provides an extremely clean, reliable two-way buffer so both systems can operate at maximum performance levels, matching impedances and operating levels.

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141B Eight Channel D to A - Eight channel ADAT to analog converter

Ideal for surround outputs to speakers from DAW interfaces - Plug & Play D to A - Model 141B is a plug & play, eight-channel ADAT to analog converter with balanced outputs, each with its own output level trim. It can accept ADAT signals at either 44.1kHz or 48kHz sampling rates.

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